Cheise
Four Planets EP

It might sound far fetched but here goes: Circadian Rhythms aka Dj Deg brought techno to Belgium before anyone was ready for it. The 1990s collective “Bad Woofers Posse” formed with lifelong friend Mike DMA and their “PK” warehouse parties served as fertile ground for the young producer.Steeped in this new atmosphere, Deg locked himself up in his bedroom studio at his parents’ place and started developing his interpretation of the freshly imported techno/house sound. In the Belgian way. Combining emotional synth play with neck-breaking drum patterns, sequenced like dreams forever chasing the climax.BM11 collects six unreleased takes from this almost forgotten period (1989 – 1994).

Having made his debut with the track ‘Sky Stepping’ on ‘Of Paradise Vol. 2’, Will Lister now cements his status as a full time family member with the release of his ‘Glow EP’, a masterful four-tracker that firmly establishes this young talent as one to watch in 2020 and beyond.Kicking off the A-side is ‘Glow’ a cinematic and expansive slice of deftly produced electronica. Pattering synths and glistening melodies work in unison with full-bodied drums and intricate percussion to create an atmospheric and intoxicating journey through sound and rhythm. Following this is ‘Pleasant Air’ a deconstructed and slightly frantic house number. Playful melodies, stumbling drums and urgent percussion all work together to build a wonderfully colourful yet sinister landscape of sound.The flipside launches with ‘Patience’, a spiralling and constantly building breaks affair that pushes the release into darker territory and showcases a rich new layer to Lister’s dynamic and expansive sound. Closing out the EP is ‘Forth’ an expertly crafted piece of electronic music that sits somewhere between deconstructed house, techno and breaks. Jagged drums, razor sharp percussion and sentient synths cut through the smoke like the distress signal from a long lost starship, as Lister pushes things into uncharted territory and brings the lights down on a breathtaking collection of future music.

Hiatus has finished, new wax is molded and Vakum spits out their celebratory tenth release. Warped Reality EP revisites galactic and spacious backbone sounds from not so long ago infused with fresh production spices. In this case, Cosmic G & Laars, the duo which grows from the new Serbian batch. Take a listen to this five-tracker riddled with space blasters and hypnotic segments.A1. Flowing through interstellar space, B Star revisites some well known and loved sounds from early hypnotic era of electronic music. Upon arriving to the quazzar crossroads it also dives into breakbeat moments just to be reformed into acid sphere once again. A touch of trance goes a long way.A2. Sometimes you hear a track that resmebles multiple tracks combined. This is just the case in Terestrial Dreams. Filled with dreamy and galactic delays it pushes itself into endless progressive spiral of heavy bassline, smooth perc shots and otherworldly segments.B1. All about the cosmic ride in a night train between two planets. Along the way it pasess through multiple sound stations and realms inviting even more passengers for this sparkling night out. Pure delicacy!B2. Broken beats, scrapping vocals and intermitting bassline. Babble is inhaling acid hits fromthe sorroundings and projects them onto punchy snares and raw rhytmics to be carried further into old school babble beats. Perfect B side.B3. The outcast. The villan. The bad guy. Slow and ominous pace bundled with serious bassline sequence that goes into offence during the vocal break. This burner really stomps heavy hits onto you and smashes every sonic valve while pouring acid. "Oh, well, allow me to retort."

Berlin-based imprint Ecke Records has gone from strength to strength over its past three releases, an inaugural VA followed by EP’s from Squallfront and Data Room, in the process cementing itself as a now go to label for leftfield leaning electronica and each record further draws you in thanks to the uniquely designed full sleeve artwork by Ben Fables. Here we see Ecke deliver its fourth release courtesy of Xantrax, a Marseille-born producer and one half of Squallfront alongside the label-founder. Taking the lead is ‘Tekline’, a murky, unfurling cut fuelled by off-kilter tribal drum work, bubbling bass delays and modulating synth flutters. Addison Groove steps up next on remix duties, reshaping ‘Tekline’ with choppy vocal cuts, dubbed out chord stabs and organic percussion floating atop the originals hypnotic groove. ‘Linetek’ opens the flip, as the name would suggest acting as a counterpart to the lead track, taking a 4/4 approach rhythmically while introducing a similar modulating bass line alongside chanting vocals. ‘0121’ then rounds out the package, an angsty, dynamically unfolding composition laid out over four and a half minutes with droplet synth delays, heady bass swells, spoken word vocals and crunchy broken drums.

Boredom, anxiety, painkillers and frustration make a heady mix for both reflection and action. For three weeks I stared out of the window of the tower block onto the tall brick towers of the old asylum chimneys. The past was a strange land suddenly out of reach, the present confusing and claustrophobic, the future something I could only visualise and idolise. From the balmy Autumn day of my release a light was switched on, buzzing urgently like a neon street lamp on my path. Life took on new vigour and meaning. Pleasures starkly illuminated, annoyances inconsequential. Old work was re-examined and appreciated. Machines treasured and connected. My basement filled with ever greater warmth and excitement. The toy towns of our inner minds are constructed of a million tiny building blocks of experience.There’s a freedom that comes from realising what might have been. Peace in reflection, and I take pleasure in the hum drum. Unhampered by trends, untethered to a scene, stripped back to essential carnal influences and desires.Who are we but the sum of our experience. ‘Everything Is Quite Now’ meanders through a reimagined landscape of personal history, releasing musical fragments to drift among soaring treetops, hollowed lakes and labyrinthine concrete structures, liberated from genre and form – alive at last. In these great expanses, light and dark are presented not as polar opposites, but as a limitless, unified whole. References to EBM and industrial techno manifest within the sporadic percussive framework whilst gauzy ambient backdrops form an entire world of their own, constructed from the gentle hiss of a looping tape, the booming caverns of a muffled kick, the vivid distortions of a crystalline synth. In the depths of a misty forest, warmth permeates, absorbing inside it all of the darkness, pain, romance and beauty from before.

Limited vinyl only release by REVOLT! presenting three collaborative tracks by G.U.S & Dimitris Anagnostou – a contemporary reference to late 90’s UK tech house with steady groove, acid bleeps and ambience.