S. Moreira Indi Zone
Santergio & Sergiago

A variety of ambient and experimental cuts to be found here. A re-release of sorts, all original tracks were done by Enitokwa (Takashi Hasegawa) as rehearsal for a live performance at Tokyo - Batofar Festival in Paris in 2001 and were released on a limited CDR "promo." in 2002. All 8 tracks were recorded and mixed live in one sitting, and have been remastered, given names and pressed on heavy vinyl with a beautiful cover design by Berlin artist Nik Patrick.The sample sources were largely inspired by records that Takashi listened to in High School - and feature two hugely well known British hands (one of whom have just reformed and have a new album out…), some old Jazz, Bossa Nova and Hawaiian records, as well as samples from ambient legends Deep Forest and Brian Eno. The result is an earthly nostalgic feel with deep moods to match the times we are living in. The first track ‘Pop’ bursts into life with an etherial presence. ‘Ssab’ and ‘Chinese Girl Goes to Hawaiii’ have a rather filmic quality to them, whilst ‘Resonating’ seems to float over the wreckage of human activity, a post apocalyptic vision of Planet Earth. ‘Liquid Sky’ is a minimal groove which could be a sonic report from an eerie space station, which is itself a remix of Dub Sonic aka Takehito Nakazeto’s ‘Donigma Dub’. ‘Hope on Hop’ will appeal to today’s generation with its Techno and D’n’B influences, and features voices taken from Wim Wender’s ‘Paris Texas’. Track 7, ‘Mingos’ turns Gal Costa’s voice into a soaring atmospheric haze of digital memory, and the track ‘Holy Spiral’ is a combination of this one and ‘Resonating’, an ascendent 12 minute march to the release’s final close. Takashi Hasegawa is a respected DJ, producer and live performer who plays live electronic and DJ sets regularly today in venues and festivals across Japan. He has been producing house, techno, experimental and ambient music since the 90’s - spending some of that time in the United States, including working in the music scene in the New York, before returning to Japan working as a sound engineer, A&R and producer for the famous Tokyo-based record label Club Yellow. Now based in Osaka-Fukuoka, Takashi’s music is still resonating with fellow music lovers around the world. Now, 20 years on from its creation, this music is rediscovered and given a wider audience. The sound on ’Re-Promo’ interestingly gives an insight into the music Enitokwa is currently working on - reflecting the cyclical nature of creative output - and represents a slight departure from the swirling delicate ambient textures that you can hear in o.n.s.a and on the intricate and more musical 2069, released in 2017 and 2016 respectively. Each track has a video accompaniment to be released in various media outlets, the label head Tom Ransom having partnered with diverse artists in Colombia, Denmark, Japan, Poland, France, Britain and China to create a wide range of visual outputs. The release also sees two digital only remixes, one coming from London and Wigan’s enigmatic Isherwood (Edward Regan), and the other from Mat Fink - a unique DJ and up and coming producer raised in Pittsburgh and Berlin. Watch out for these… Machines used: Yamaha SU700 Sequential Circuits Pro OneRoland TR909Roland TR808, TC Electric D-TwoMAM RS3 Pedals Remastering and additional audio treatment by Kabamix (LMD) on Dec.4.2017.Dedicated to Takehito Nakazato (SONIC PLATE)P Future Friend 2021C non-entertainment-research

Winter is here. It's time stoke up the fire, turn up the tunes and Batter Down with Toké.

Rolling through with number 16 in our AGAIN series and we're very happy to welcome DJ D Lux to the label. We've been a big fan of his music for years so found it hard to select four tracks from his flawless back catalogue. We landed on a selection originally released between '97 - '98 spanning a number of moods

Alessandro Canova joins the label One Instrument with a release entirely created with the Roland MC-303, the first of a series of musical instruments known as a groovebox. 

 "Counting the Eyes" aims to create a meditative dimension: a contemplation of the physical nature of sound, space and rhythm.During his early experimentations Canova worked with silence, sine waves and white noise as his only sound sources, developing a keen interest in a zen-like aesthetic. Influenced by his study on philosophy and eastern religions he aims to create a meditative dimension, a contemplation of the physical nature of sound, space and rhythm. 
 He currently resides and works in London.Composed and produced by Alessandro Canova
Mastered by Aimée Portioli, Berlin
Original artwork and layout by Marco Ciceri


Finest Hour delivers its first 2 x LP, “Universal Voyage”, courtesy of Ukrainian up and coming producer Aliana, seamlessly matching the label’s aesthetics with her non-conformist sound offering hints of minimalist neo-detroit house and early 90s electro as well as UK tech-house influences. After a little sabbatical year, Finest Hour comes back with a subtle bang, presenting its first full cover artwork cover in the process.