Saoirse Pugilist Reptant Sansibar LUXE Hassan Abou Alam
Needs x Green Vinyl present The Future Of Vinyl

Digregorius returns to My Own Jupiter for MOJ15.

Far over on the west coast of the USA we find a room full of drum machines, samplers and keyboards. Hard at work is Israel ‘Iz’ Gravning aka Tone Scientist, who’s been using this Seattle studio to produce genre-defying future music for more than 25 years.An avid student of jazz fusion, hip hop, house, techno and others, he was galvanised to build his own studio after hearing jungle and drum & bass on a trip to London in 1995. His musical course thus intersected with the collectives then pushing new dancefloor sonics rooted in the rich tradition of Black music – like Nuyorican Soul over on the east coast, and the new broken beats of IG Culture, Dego and Bugz In The Attic in London. Then, in the early 2000s, Iz put out a handful of EPs under different aliases, including ‘Lion Dub’ on the Guidance sublabel Subtitled, but soon stepped back from the public stage. That’s not to say he stopped making or playing music, though. Far from it.Fast forward two decades and our very own Walrus, chilly but happy in the depths of a Toronto winter, happened across ‘Lion Dub’ in the legendary Play The Record store. Intrigued, he tracked Iz down and discovered he had been active all this time. A short email exchange later and this 2xLP of archive material was born.These six tracks explain fully why Iz calls his studio the ‘Time Machine’: vintage equipment and instruments converse with up-to-date software; classic sounds and textures twist into fresh configurations; and Iz’s own creativity and musicality sings to us from a location beyond the trappings of time or genre.All music written, produced and mixed by Israel Gravning aka Tone Scientist in Seattle/Washington between 2005 - 2008 except for “Things Get Done”, written and produced in 2003, and “Bossman”, originally produced by Kris Moon and remixed by Tone Scientist. Zion12 was the name used by Israel for releasing Jungle/DnB and when DJing professionally around Seattle and elsewhere. Mastered & cut by Stefan Betke at Scape Berlin. Brought to you by Crevette Distribution Brussels/Belgium. All artwork by Camiflage. Printed by Bichel at Chromodrome Brussels/Belgium. Liner notes by Joe Delon. Israel would like to thank Mom, Dad, my brothers Gabriel & Jagger and their families, Cord, Andy, Kiva, the Ninjas at DSF, the Grid crew & the Great Spirit. Basic Moves would like to thank Jakob, Pim, Camiel, Boudewijn, Deg, Ailsa, Mike, Jordan, Kimcom & Joe. Keep buying records/don’t stream your life away. Underground club culture: one love/one circle.

Quality techno from this Dutch Techno Don! A stalwart of the Dutch techno scene since the mid nineties, Jeroen Schrijvershof has been ploughing his own furrow aside from the typical norms and standards of the techno scene with lasting integrity and unflinching dedication throughout the years. A coinage derived from the sharp, clinically designed blends he has come to be known for, that Search-sound has long established as a blueprint for DJs seeking laser-guided weaponry into their sets, and Jeroen's maiden effort for RYC follows that very guideline. Starting with the massive pound of the title-track, "Enigma", the EP knocks into your system with blunt force, ushering us into a no-frills corridor of hydraulic kicks and sizzling static. As per usual with Jeroen's compositions, minimalism serves a purpose of exponential effect. True to the fuel-efficient philosophy of the producer, "Modules" harnesses a controlled avalanche of modular signals and no-prisoner, big-room techno dynamics to forge a piece of exquisitely raw rave material that can move blocks of concrete with its nose. Letting the groove a little bit looser, "Object of Ridicule" spins at fierce tempo whilst relying on the same limited palette of chiselled drums and ominous strings to plunge the dance floor into a darker, neo-noir paradox of rhythmic straightforwardness and mystery-shrouded ambiguity. Topping the release off is "Circle Park", a cut that further exposes Jeroen's constant juggling between atmospheric opacity and a surgical, technicist approach towards production. A matter of thoroughly finessed textures and obsession for the faintest detail that shines through "Enigma" with unrelenting ebullience. More than anything the fruit of an endless search for fresh, unheard forms of transcending techno expression. In reflection to the release's outstanding character, we decided to have it pressed to 180g audiophile vinyl so y'all purists can revel in Enigma's heavily detailed sound spectrum.

Last Nubian has been making a name for himself over the past year or so with a string of killer releases on labels like Nomada, Flat White and Blaq Numbers, as well as holding down one of the most essential shows on London based online radio station Balamii. His latest EP sees Wright at his strongest yet, with lead single 'Fix Your Mind' getting airtime across BBC Radio 1, Radio 6, NTS & more.'Fix Your Mind', which was made with frequent collaborator Dougan, sees loose yet jagged drums unfold into a flurry of chopped vocals, swirling synths and a calming vocal refrain calling out 'Wake up, it's not too late'. The EP continues with the rolling, UK Funky-tinged 'We The People', driven by a warm, Larry Heard-esque bassline and delightfully spritely keys stabs. On the B-side, 'Sold The World' mellows the mood slightly with low-slung percussion, a meandering lead synth line and a stirring, expertly chopped vocal sample. Now a household name on the on the Parisian club scene, Hugo LX delivers his own 'After Thoughts Mix' of 'Sold The World', bulking up the originals groove with crispy percussion and a rubbery bouncing bassline that rolls through sparkling chords, a infectious synth motif and builds to a graceful ascending synth solo.

The 22nd release on Anthea’s sought after Partisan label comes from Dutch duo, PH Project. The Picnic Records affiliates have blossomed in recent times, and rightly so, their tight productions make them a firm favourite and the “Edge Of Impact” EP pays testament to this fact. Infectious club room energy that showcases not only their innovative sound, but their incredible chemistry as artists, an animated blend of low end leaning house and techno on the established London/Berlin label.PH Project delivers another exciting output, a statement release preparing you for what is to come...

SAISEI founder Junki Inoue continues his vital archival work uncovering the riches of Japan’s distinctive electronic music scene and bringing them to new audiences around the world.
The PMA EP compiles four dynamic tracks recorded around 30 years ago by the duo of Shigeru Nakamura (drums/vocals) and Mikio Kato (synths) aka B-2DEP’T.
Nakamura and Kato’s first album as B-2DEP’T, Products Plus, appeared on cassette in 1993 on Trigger Records, the predecessor label to Transonic (given a retrospective on SAIS004). Its bright yellow and blue retro-futurist artwork – which is echoed in the design for this reissue on SAISEI – matched the sounds held within: inventive, out-of-the-box dance music blending overseas influences with an idiosyncratic Japanese sensibility.
Two tracks from Products Plus appear on this EP, All tracks re-edited by Junki Inoue and regular collaborator Yuzo Iwata for vinyl extended play and available now for the first time on vinyl. ‘Clockwork Giant Panda’ appearing in a version co-produced with Yoshinori Sunahara (ex - Denki Groove), merges a breezy US house groove and bassline with twinkling, almost parodic Japanese keys that act as a kind of meta commentary on Western perceptions of Japan (a concept pioneered by Yellow Magic Orchestra). The two parts of ‘BSMH’, or Body Sonic Mental Health from ‘Products Plus’, were originally remixed by Daishi Hisakawa of Tanzmuzik, who draws on darker sounds from Europe and the UK: restless Depeche Mode synth harmonies spiral above a pacy EBM pulse, with robot vocals intoning the titular slogan. The package is completed by the unreleased track ‘PMA’, whose driving, bass-heavy mood falls somewhere between Sheffield bleep and the ambient techno of early Biosphere.SAISEI is a Japanese word which translates to ‘reproduction’ and ‘to play’ (as in playing records). Japanese culture is widely known for its traditional nature just as much as it is for being forward into the future and this label’s concept does justice to exactly that. Having started digging for records as early as 16 years old, Inoue delved into productions from 1990s Japan to uncover these native gems. SAISEI’s core concept is to recapture and reintroduce unique pieces of Japanese electronic music onto vinyl, to an audience it never reached before as most of this music was only released in Japan.