The Duke Of Dub
Everyting Gwan In / Fight Dub

Completely unorthodox production techniques employed by one of Spain’s maestros from the 80’s, THANKYOU brings back one of Julian Ruiz’s craziest productions that come with a potential threat to any well tuned HiFi system (careful at 1:26 on A side). A remarkable dubby/italo rhythm section sets the foundation for a dreamy melody that won’t be forgotten so easily. Inspired in Indian mythology, “El Genio De Los Pies Rojos” is a masterpiece that will take any tasteful dancefloor to serious heights. Includes 2 other shorter titles from the album originally released in 1986.

Rolling through with number 16 in our AGAIN series and we're very happy to welcome DJ D Lux to the label. We've been a big fan of his music for years so found it hard to select four tracks from his flawless back catalogue. We landed on a selection originally released between '97 - '98 spanning a number of moods

SAISEI founder Junki Inoue continues his vital archival work uncovering the riches of Japan’s distinctive electronic music scene and bringing them to new audiences around the world. The Sounds Of Transonic compiles six tracks recorded in Tokyo between 1991 and 1995 and released by the pioneering Transonic label, founded in 1994 by Kazunao Nagata and active until 2004.Transonic’s catalogue is a glittering roll call of the scene’s major players, whose inventive and genre-blending work established forward-thinking house and techno in Japan in a way that would shape the country’s electronic sound for years to come. Transonic was instrumental in giving exposure to the work of these artists with its emblematic series of CD compilations, released over a short couple of years in the mid 90s. Beginning with 970-1450km/h, Feedback and Range, the series also included The Roots Of Transonic, featuring music from parent label Trigger. Alongside these compilations came much sought-after solo albums each packaged with striking cover art that makes the discs a visual treat for collectors to this day.The Sounds Of Transonic brings together six tracks from the catalogue into one breath-taking package. The influence of hi-tech jazz and machine funk from Detroit is undeniable in ‘Dream Trance’ (Mind Design) and ‘Blasting Soul’ (Interferon), while ‘Under The Ground’ (Palomatic) and ‘Chelsea’ (Suzukiski) are permeated by the artificial intelligence and trip hop emanating from the UK at the time. The compilation is bookended by two tracks by Nagata himself (as Organization): ‘Space Ball’, a Model 500-worthy chase through the cosmos, and ‘Call’, an eerie echo of Kraftwerk’s telephone, transmitting expectantly out into the void and, finally, receiving its celestial answer.With The Sounds Of Transonic these formative pieces of music will now be available internationally and, for the first time, on vinyl.SAISEI is a Japanese word which translates to ‘reproduction’ and ‘to play’ (as in playing records). Japanese culture is widely known for its traditional nature just as much as it is for being forward into the future and this label’s concept does justice to exactly that. Having started digging for records as early as 16 years old, Inoue delved into productions from 1990s Japan to uncover these native gems. SAISEI’s core concept is to recapture and reintroduce unique pieces of Japanese electronic music onto vinyl, to an audience it never reached before as most of this music was only released in Japan.

Incoming…POTG 03The 3rd release from tINI’s Part Of The Gang Records is here.This new three-tracker comes courtesy of Barcelona-based Uruguayan producer Jorge Gamarra.Jorge’s takes influences from Detroit and Chicago, as well as the UK and of course, Montevideo’s electro scene.Across three cuts we get a selection of future facing productions, composed with a vintage sonic aesthetic imbued with Gamarra’s heady mix of influences.The track ‘ADE’ is opening the EP with a delightful adventure into the cosmos.Groaning bass is combined with a menagerie of twinkling sounds, chirps and effects straight from another galaxy.Next up is ‘MK Ultra’, named after the infamous CIA mind control experiments (“Involves several drugs and electrodes plugged into the brain”).This one utilises layers of retro instrumentation to take hold of your subconscious and get that body moving uncontrollably...Finally, ‘DTR’ is 10 minutes of Gamarra demonstrating his production prowess, bringing together groovy bass, sci-fi effects and a catchy earworm, whistling melody…

After a first dancefloor-oriented release, Vilamar open their second editorial line dedicated to more narrative explorations with this sonorous 6-track mini album, written and composed in 2019 by Hiroma Keo. Formal yet experimental, each track plays with textural contrasts, gossamer lightness brushing up against uncompromising density. The result is a thing of austere beauty: from the cinematic opener to the climactic rush of the finale you will find shimmering arpeggios, industrial polyrhythms and, at one point, even an unabashedly 80s synth lead. Made in Lisbon, but with its gaze fixed firmly beyond the horizon.