Pais Tropical
Melodya

The fifth release on DJ Nobu's Bitta label. A debut single by a new Japanese producer Daisuke Uchimura with two mesmerizing remixes by Marco Shuttle. Mindbending deep and hypnotic techno trips.

Thomas Melchior provides a foretaste of his upcoming album.

DJ Spider: “This record is dedicated to my good friend Mike Huckaby. He planned on remixing "Incineration of Years and Truth" back when I originally made it in 2011, but we never got around to actually making that happen. I'm also honored to have my other close friend Phil Moffa on remix duties. There were many sessions in Phil's studio (Butcha Sound Studio, NYC) where we used to jam with Mike whenever he would come to New York to DJ or hang out. We used to play with synthesizers for hours. We were all good friends and it was perfect to have Phil on this record aswell! Mike taught and inspired us to have fun with making music and push ourselves to be the best that we can be. We will love him forever.”Rob Hampton, better known to most as DJ Spider, has been releasing his twisted take on Techno and experimentalelectronica for over a decade on the likes of The Trilogy Tapes, REKIDS, Vanguard Sound! and Berceuse Heroique as well as his and Dakini’s own Plan B Recordings and its sub labels BTU and Sublevel Sounds. Here he joins the roster of Spinning Plates, the London-based label that’s established itself as a go to purveyor for leftfield leaning Techno, Electro and more.Title-cut ‘Hyperspace Wardance’ leads and employs DJ Spider’s typically dynamic, brooding and robust style via clattering percussion, eerie pads, murky bass stabs and tension building atmospherics. Phil Moffa’s take on ‘Hyperspace Wardance’ follows, adding a lighter touch to things, bringing the pads to the forefront alongside a shuffled drum groove, snaking bass line and resonant synth licks.Opening the flip-side is ‘Space Aggressor Squadron’, a six minute workout fuelled by squelchy acid lines, swelling pads and crunchy, distorted rhythms before ‘Incineration Of Years And Truth’ completes the EP, edging things into a dubby territory courtesy of smooth chord sequences, spiralling echoes and bumpy, reduced drums.

After being marooned in a small beach town in Brazil at the start of the pandemic, California-born Gene On Earth eventually made it home to Berlin. As the reality of the global situation sunk in, he set to work on his second album, working in an obsessive daily rhythm. After gathering an arsenal of samples and inspiration he returned to the studio for 5 months of feverish work. Set for release on June 3rd via his own imprint Limousine Dream, ‘Time on The Vine’ is a slick record delivered with the laid-back warmth of a producer at the top of his game. Breezy yet assured, its wonky minimal rhythms are as feel good as they are fun, a perfect antidote to the long and waning pandemic that birthed them.