OKRAA
1994

Rare bonus disc from seminal UK Rave group Drum Club. Originally released as part of a limited edition pressing of their 1994 album “Drums Are Dangerous”. Both sides feature an alternative dance floor remix of the track "Illuminated" where ethereal vocals of “It’s A Fine Day” singer Kirsty Hawkshaw are layered over dreamy percussive workouts.

For the next One Instrument Session series, we’re pleased to present the Indonesian artist, Fahmi Mursyid. This mini-album, limited to an edition of 200, includes 6 tracks that take the listener on a warm, experimental journey of varying timbres.The artist has always had a personal interest in traditional Indonesian instruments, specifically from Sundanese culture, the second largest Indonesian ethnic group, native to the western part of the Island of Java.Paying homage to this source of inspiration, he has chosen to use Indonesian instruments for almost all of the tracks on the 12’’. Considering the strict guidelines One Instrument gives the artists, Mursyid has succeeded in getting the most out of his chosen instruments.With each of the 6 different acoustic instruments he has eluded clichè and surpassed physical limitations to shape a bold, alternative musical language. 

All tracks are recorded with only one condenser microphone.Composed and produced by Fahmi Mursyid
Mastered by Giuseppe Tillieci at Enisslab Studio, Rome
Original artwork by Alejandra García and Marco Ciceri
Layout by Marco Ciceri

Alessandro Canova joins the label One Instrument with a release entirely created with the Roland MC-303, the first of a series of musical instruments known as a groovebox. 

 "Counting the Eyes" aims to create a meditative dimension: a contemplation of the physical nature of sound, space and rhythm.During his early experimentations Canova worked with silence, sine waves and white noise as his only sound sources, developing a keen interest in a zen-like aesthetic. Influenced by his study on philosophy and eastern religions he aims to create a meditative dimension, a contemplation of the physical nature of sound, space and rhythm. 
 He currently resides and works in London.Composed and produced by Alessandro Canova
Mastered by Aimée Portioli, Berlin
Original artwork and layout by Marco Ciceri


Hiatus has finished, new wax is molded and Vakum spits out their celebratory tenth release. Warped Reality EP revisites galactic and spacious backbone sounds from not so long ago infused with fresh production spices. In this case, Cosmic G & Laars, the duo which grows from the new Serbian batch. Take a listen to this five-tracker riddled with space blasters and hypnotic segments.A1. Flowing through interstellar space, B Star revisites some well known and loved sounds from early hypnotic era of electronic music. Upon arriving to the quazzar crossroads it also dives into breakbeat moments just to be reformed into acid sphere once again. A touch of trance goes a long way.A2. Sometimes you hear a track that resmebles multiple tracks combined. This is just the case in Terestrial Dreams. Filled with dreamy and galactic delays it pushes itself into endless progressive spiral of heavy bassline, smooth perc shots and otherworldly segments.B1. All about the cosmic ride in a night train between two planets. Along the way it pasess through multiple sound stations and realms inviting even more passengers for this sparkling night out. Pure delicacy!B2. Broken beats, scrapping vocals and intermitting bassline. Babble is inhaling acid hits fromthe sorroundings and projects them onto punchy snares and raw rhytmics to be carried further into old school babble beats. Perfect B side.B3. The outcast. The villan. The bad guy. Slow and ominous pace bundled with serious bassline sequence that goes into offence during the vocal break. This burner really stomps heavy hits onto you and smashes every sonic valve while pouring acid. "Oh, well, allow me to retort."