DMX Krew
EV 004

Rezo Glonti, Georgian sound artist and electronic music producer debuts on the label One Instrument with an album entirely made with the Teenage Engineering OP-1.He mostly works within the field of experimental music and places a strong emphasis on the incorporation of texture and space into his compositions.Rezo Glonti, aka Aux Field on his new album “1 For One” created all the layers of the pieces in one take. As always, Glonti’s playing is deceptively elegant, raw but precise, attuned to resonance, radiance, and negative space.The record spans a range of emotions and moods and the result acts like a decaying memory, brief shining moments of clarity fighting against something unclear and untethered.The various combination of layers perform with both a distinguished efficacy and unhurried dreamy drift—charged and beautiful, pulsating and pleasing. The production is subtle and tasteful.

A variety of ambient and experimental cuts to be found here. A re-release of sorts, all original tracks were done by Enitokwa (Takashi Hasegawa) as rehearsal for a live performance at Tokyo - Batofar Festival in Paris in 2001 and were released on a limited CDR "promo." in 2002. All 8 tracks were recorded and mixed live in one sitting, and have been remastered, given names and pressed on heavy vinyl with a beautiful cover design by Berlin artist Nik Patrick.The sample sources were largely inspired by records that Takashi listened to in High School - and feature two hugely well known British hands (one of whom have just reformed and have a new album out…), some old Jazz, Bossa Nova and Hawaiian records, as well as samples from ambient legends Deep Forest and Brian Eno. The result is an earthly nostalgic feel with deep moods to match the times we are living in. The first track ‘Pop’ bursts into life with an etherial presence. ‘Ssab’ and ‘Chinese Girl Goes to Hawaiii’ have a rather filmic quality to them, whilst ‘Resonating’ seems to float over the wreckage of human activity, a post apocalyptic vision of Planet Earth. ‘Liquid Sky’ is a minimal groove which could be a sonic report from an eerie space station, which is itself a remix of Dub Sonic aka Takehito Nakazeto’s ‘Donigma Dub’. ‘Hope on Hop’ will appeal to today’s generation with its Techno and D’n’B influences, and features voices taken from Wim Wender’s ‘Paris Texas’. Track 7, ‘Mingos’ turns Gal Costa’s voice into a soaring atmospheric haze of digital memory, and the track ‘Holy Spiral’ is a combination of this one and ‘Resonating’, an ascendent 12 minute march to the release’s final close. Takashi Hasegawa is a respected DJ, producer and live performer who plays live electronic and DJ sets regularly today in venues and festivals across Japan. He has been producing house, techno, experimental and ambient music since the 90’s - spending some of that time in the United States, including working in the music scene in the New York, before returning to Japan working as a sound engineer, A&R and producer for the famous Tokyo-based record label Club Yellow. Now based in Osaka-Fukuoka, Takashi’s music is still resonating with fellow music lovers around the world. Now, 20 years on from its creation, this music is rediscovered and given a wider audience. The sound on ’Re-Promo’ interestingly gives an insight into the music Enitokwa is currently working on - reflecting the cyclical nature of creative output - and represents a slight departure from the swirling delicate ambient textures that you can hear in o.n.s.a and on the intricate and more musical 2069, released in 2017 and 2016 respectively. Each track has a video accompaniment to be released in various media outlets, the label head Tom Ransom having partnered with diverse artists in Colombia, Denmark, Japan, Poland, France, Britain and China to create a wide range of visual outputs. The release also sees two digital only remixes, one coming from London and Wigan’s enigmatic Isherwood (Edward Regan), and the other from Mat Fink - a unique DJ and up and coming producer raised in Pittsburgh and Berlin. Watch out for these… Machines used: Yamaha SU700 Sequential Circuits Pro OneRoland TR909Roland TR808, TC Electric D-TwoMAM RS3 Pedals Remastering and additional audio treatment by Kabamix (LMD) on Dec.4.2017.Dedicated to Takehito Nakazato (SONIC PLATE)P Future Friend 2021C non-entertainment-research

Beautiful cinematic electronix on this full length album by Lord Of The Isles inspired by the beauty of the islands of Scotland. Neil McDonald's love of the outdoors is a constant feature in his music, hence his Lord Of The Isles moniker, a direct reference to the Highlands and islands of his native Scotland. His vivid, effervescent and blissfully cinematic sound paints a soundtrack to unmade films, building imaginary worlds inspired by his childhood passion for science fiction. It is therefore no coincidence that the closing track 'Subtle Thoughts' samples the inimitable voice of Carl Sagan and is also the name of his forthcoming album on Lapsus Records. Subtle Thoughts' is an album of sumptuous melancholic electronica that, like all his previous works, avoids being pigeonholed. In it we find ambient and IDM, but also breaks and down-tempo 4x4 beats with deep ruminations, and even passages akin to new age and Balearic. In Neil's own words, the real concept behind 'Subtle Thoughts' is "The spaces in between. Listening to the quiet voices. Freedom of expression and being open. It also contains my hopes and fears for the future of our world, but mainly hope and love".

Sebastian S. (aka Caustic 14) returns to the label with two previously unreleased tracks found in his personal archive.

After being marooned in a small beach town in Brazil at the start of the pandemic, California-born Gene On Earth eventually made it home to Berlin. As the reality of the global situation sunk in, he set to work on his second album, working in an obsessive daily rhythm. After gathering an arsenal of samples and inspiration he returned to the studio for 5 months of feverish work. Set for release on June 3rd via his own imprint Limousine Dream, ‘Time on The Vine’ is a slick record delivered with the laid-back warmth of a producer at the top of his game. Breezy yet assured, its wonky minimal rhythms are as feel good as they are fun, a perfect antidote to the long and waning pandemic that birthed them.