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TT EP

Another year, another episode brought by Amorfo and its crew which continues to grow. This episode comes with two tracks from Arturo Hernzama, which is his first ever release on vinyl, he delivers two tracks: "Pampanitos" & "Rio Verde" both are dancefloor killers. After the heat brought by Arturo, Santiago Uc comes with "Roquedal", fresh and gentle as a summer breeze, letting Bruno Di Paolo finish this ep with "Siniestra Felicidad" a song that reflects his love for not letting you understand completely what he is up to.

After the wonderful techno Album “The Compilation” on Moto Music 013 three years ago a new Album “Alchemist Dream & Future Tales” is coming out on same swiss label produced by the legend Bigeneric aka Marco Repetto. Those tracks are a bundle of beautiful and well preserved dark High-Tech Techno & Ambient tracks, produced between 1995 and 1999.

DBH Records presents Bigeneric aka Marco "Repetto" - Venydia, originally released in 1995! Re-mastered by Oliver LiebVinyl cut by W.J. HenzeWorldwide exclusive distribution: www.dbh-music.com

Marco Shuttle's third album, Cobalt Desert Oasis, features a varied collection of music recorded across a two year period. Often traveling to remote destinations, Marco would come back to Berlin with field recordings, images, and other inspirations to process in his studio and turn into sound.The theme of the journey turns into a something more abstract than a travel diary, where environmental sounds blend in with modular synthesis, drum machines, effects and analog oscillators resulting in a cinematic listening experience where psychedelia, ritualism, and mysticism weave together in a sort of alien soundscape - that as the title of the album suggests, is reminiscent of a parallel utopian world.The album is rich in complex rhythmics, and more than in any of his previous work, has strong acoustic elements. Amongst other percussion instruments, Marco used the Tombak, a traditional Persian hand drum capable of reaching a very wide range of frequencies - from deep round subby toms, to high pitched sharp rimshots, throughout the record.Marco Shuttle is certainly not new to these sort of elements, but in Cobalt Desert Oasis he brings the environmental element of his sound into the forefront in a way that takes the listener into a hazy expanse where it is sometimes difficult to distinguish the machine elements from the natural - and where the music almost becomes a visual experience, which relates to Marco's own photography used throughout the cover and insert images.