Blue
The Path Of Least Resistance Meets The Point Of No Return

5th release from the Slovanian label Luckison from the mysterious producer TRI.AL.TRIP!

Zèbres Records is back celebrating Plein Soleil’s new release blending his polyrhythmic, ambient and dub aspirations. Through his solo project, Jonathan Grandcollot —also part of Société Etrange, Pan Pan Pan and supergroup Omertà— explores his broad DIY instrumentation, working his percussions towards a dub, fourth-world space, ruling out every "cliché associated with the genre, instead generously filling this 12" with mesmerizing agitation. "UV" will be out in September 2021, distributed by Glasgow’s Rubadub

Delsin continues to celebrate the overlooked brilliance of Simon Walley's exquisite electronica works as CiM with a deluxe reissue of his 2000 debut album Reference. Spanning 24 beautifully crafted miniatures, this is one of the definitive overviews of Walley's intimate, introspective electro-techno sound. From the crunch of bit-crushed drums to dreamy, swooning pads, everything in the CiM soundworld feels positively considered and elegant. His music has attracted a devoted following from those immersed in the world of deep techno and electronica. The concise run times of his musical ideas ensures there's not an inch of plastic wasted on elongated intros or endless repetition. That said, fitting the whole of Reference onto one disc for the original deFocus pressing was something of a squeeze, with some tracks reserved for the CD only. With this newly mastered pressing, all 24 tracks are present across two 12"s, giving Walley's peerless sound more room to breathe. Delsin and sister label Ann Aimee have a relationship with Walley that reaches back to the late 90s, and they picked the thread of communication up last year with timely reissues of the Service Pack and Series Two EPs. Earlier in 2021, Delsin also released Unselected ProTracker Mods, a collection of previously unreleased archival works from a furtive but undoubtedly prolific artist.

New collaboration between in-house producers and collective members S.Moreira and Indi Zone. In their Ethereal Logic project they explored the depths of electronic music, while in this new release they have focused on a much organic sounds palette where jazz is the main act.

Winter is here. It's time stoke up the fire, turn up the tunes and Batter Down with Toké.

GEMS UNDER THE HORIZON 1 (a chill-out division of Basic Moves)."Unexpectedly, the track is based around a chord from a song often played on the radio during the Second World War. The sample has been manipulated - it almost feels as if the music disappears into the mist. The title references the green flare shot into the sky that allied bomber squadrons took as a signal for take-off. (In case of a red light, they were to turn their engines off and run back to their quarters.) Hence the saying: "Up goes the green flare."”“Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light. Though wise men at their end know dark is right, Because their words had forked no lightning they Do not go gentle into that good night. Good men, the last wave by, crying how bright Their frail deeds might have danced in a green bay, Rage, rage against the dying of the light. Wild men who caught and sang the sun in flight, And learn, too late, they grieved it on its way, Do not go gentle into that good night. Grave men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against the dying of the light. And you, my father, there on the sad height, Curse, bless, me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light.” Dylan Thomas 1947“Up Goes The Green Flare” Composed, Performed, Recorded and Mixed by Bernard Zwijzen in Hasselt/Belgium Autumn 2005. (Previously released on CD in 2006 by U-Cover Transparente Label from Geel/Belgium) “Where The Light Begins” Composed, Performed and Recorded by Dylan Hayes in Brussels/Belgium (winter 2020) & Mixed by Chris Funk Ferreira in Brussels/Belgium July 2020. Both tracks were mastered and cut by Stefan Betke at Scape Mastering Berlin in December 2020. Brought to you by Crevette Distribution. Get in touch: distribution@crevetterecords.be All Artwork, Typo & Print carefully handled by Dieter Durinck. (​www.dieterdurinck.net)​ Dylan wants to thank Michiel, Jakob, Chris, my parents and brother, Killian, Kristof, Nico, Robin, Tim, Arnaud, Stevie, Kato, Jill, Kim and the whole gang van BXL​. B​asic Moves would like to thank Ailsa, E/Tape, Eva, Jakob, Pim, TheFunk, Tristan, Joe, Kim, Jordan, Ziggy & Michelle.