Ben Pest
Robotic Sales EP

Fader Cap provides 3 rhythmic, sense-heightening, club-jams on his Craigie Knowes debut. The "Club Telepathy" EP is built for elevating dancefloors and features a euphoric Shedbug remix to boot. One for the DJs.

Recordstore & Electronic Music Label from Neapolitan underground scene.

Taking his place in the great Swiss electronic tradition - peopled by the likes of Carlos Peron, Boris Blank and Grauzone, to name just a few - the Swiss DJ and producer Walid reaches new heights with his highly anticipated proto-techno project "Child of the Waves". These 7 unreleased tracks could be the soundtrack of a B-movie thriller from the 80s. The compositions are full of imagery, using cinematic samples to stimulate the mind’s eye. He makes strong aesthetic moves, choosing to reinforce rather than attenuate the tension and intensity of his themes: the fear of the unknown, of getting lost and of loneliness; a rage for life and hedonism; and above all the darkness of the human psyche. For me, his music recalls the atmosphere I experienced in Zurich in the 80s, sometimes icy, withdrawn, even hostile, but also in the image of Walid himself: reserved, mysterious yet also generous. It's all in his music! Just when you think you are in familiar waters, you listen a little more and realise you very much are not. There's a je-ne-sais-quoi that makes things different and special in his compositions. They sit at the intersection of many genres and sound incredibly fresh to our ears. After several well-received releases under his various aliases, many of us in this milieu were impatiently waiting for him to strike again and confirm the potential already revealed in his previous productions. With this new release, this has been achieved! For me, he is undoubtedly one of the best-kept treasures in the Swiss vaults and an artist to be watched very closely in the coming years. Mike DMA (Brussels, 11 January 2021) CREDITS​: All music written, produced and mixed by Walid El Barbir in Zurich/Switzerland, 2017–2020. Mastered & cut by Stefan Betke at Scape Berlin. Brought to you by Crevette Distribution Brussels/Belgium. All artwork by Camifllage. Printed by Bichel at Chromodrome Brussels. Basic Moves would like to thank Mike, Camiel, Boudewijn, Deg, Ailsa, Joe, Jordan, Kim, Pim and Jakob. Keep buying records/Don’t stream your life away !!!

Cynosure presents the fifth installment in the Focal Point Compilation series. This time with a focus on various studio collaborations with Mike Shannon, featuring recorded sessions from Mathew Jonson to Ricardo Villalobos. A diverse selection of works ranging from a smooth 100 bpm house with the Mole & Hreno to a rolling deep techno at 127bpm with Matt & Mark Thibideau. Mike pulls a few gems out of the recording vault to share on a stunning triple vinyl gatefold package.

Six years, more than fifty releases, countless artists and multiple subsidiaries; the Oyster Cult’s reach extends far beyond what sceptics once thought possible. It’s only fitting, then, that we gather some of our finest under the Kalahari banner in celebration. The anniversary release is upon us. Six whole years since Jacy helped inaugurate the label with a spin on Midwestern house, OYSTER40 signals a landmark occasion. 18 tracks, quadruple vinyl boxset action, and in true Oyster Cult tradition, it comes bearing pearls. Dancefloor squarely in focus, the Cult assembles on a compilation spanning alumni and new inductees alike. It’s an assemblage of the fractal, explorative and ritual-ready; at once a focused distillation of the Kalahari sound and celebration of its many acolytes. Big on atmosphere, heavy on groove, we delve deeply into the musical DNA shared by all who grace the label. Tough, direct cuts (Sansibar, Roza Terenzi, Big Zen, Maara & Priori) to the pristine and widescreen (S.O.N.S., Volodymyr Gnatenko, Adam Pits), this is all quintessentially Kalahari. Elsewhere though, the likes of D. Tiffany and SW. journey further into realms of abstraction: the former opting for hi-tech, dreamstate IDM, while the SUED co-founder dissolves a house template into dubby introspection.Calling upon contemporary talents for the most part, there are also exceptions. Raymond Castoldi - the one-time house producer best known as Madison Square Garden’s music director - returns with an unreleased nugget from ’91, while an ‘Aliens’-sampling track from Detroit-indebted techno outfit Syzygy gets the reissue treatment.